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Full Version: Forrest's Sketchbook of Wondercanes and Dreamsicles.
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Nailing dem studies. I like the effort your putting into that piece man. Can't wait to see how it turns out
oh wow, awesome studies, love the little notes on them!

If I can suggest anything, is to use a softer edge brush for painting hair - it will make it look a little more smoother and 'flufflier'.
Craig Paton thanks :)

Corza334 Thank you :) I can't wait to finish it ha

Ursula Dorada Thanks Ursula :) I usually use a soft brush but was trying some new things out to see if I like it. You're right though soft brush is the way to go.

Progress on my bloodsports entry, if you don't know about it here's a link to the details (http://crimsonbloodsports.blogspot.com/2...-nath.html). Also a still life that sucks balls.

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Study study study studaaaaays. Studys! Woop woop studys yeah yeah yeah woo.

yeah...

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Nice studies ! :D I like the last one from V for Vendetta, maybe you could have tried to give more the feeling of rain

KEEP IT UP ! :D
Thansk Izzual :) I only gave myself an hour on it so I didn't really worry too much about the rain and more about the values and color :P

So here's some stuff today, I didn't get much sleep last night so I'm getting off early tonight. However! Tomorrow I shall stream once more and I for sure will be working on my bloodsports so I can show off my progress of it when I post around tomorrow night :)

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Keep up the hard work! Lookin good. And show us dat bloodsport :D
Very inspiring sketchbook!
Really inspiring to see you improving so much over the past year. Colors are looking amazing in those last two posts. Think I might have to break out V, as well.
pnate thanks :) here's the bloodsport progress

Nylelevi thank you :)

mdbauman I'm glad I inspire you ha :P

Progress on my Bloodsports submission and some of today's studies yay!

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Man, Forrest your bloodsports submission is badass, looking forward to seeing the final.
Thansk Jones :D

I feel like a terrible person because I promised not only my only 13 blog followers that probably never check my blog but more importantly myself that I'd post two days ago about this subject and yet here I am two days later and here it is :p Stupid social lives ruin everything.

So... earlier this week my good buddy Sam Szymansky and I were discussing composition with each other. Sam takes composition classes online through The Art Department (TAD). He was suggesting to me that I should try some composition studies and block in shapes with only value to see how they react to each other and try and get a better sense of composition. So I started trying this, and in all honesty it was boring and I was apparently looking too deeply into the first study I was doing. Not only was I considering everything about the image instead of just the shapes and separation of value but I was also spending way too much time on the study. Instead of me focusing on shapes I focused more on the values, the directional composition being implied by various things in the image, and eyesight. Now that last part is really the part I wanted to get in to and was probably the biggest problem with Sam and I's discussion.

The study I was doing was meant to create a good composition with only values and simple shapes (i.e. circle, square, etc.). However the direction you have someone looking can be incredibly important in a composition. Of course it's important to include good separation of values to help create contrast and have a good readable silhouette and lines directing the eye to the focus aaaaaannnnd depth. But something that I've found helps images a lot not only with the composition, but also with the storytelling is faces and eyes. In James Gurney's book Imaginative Realism he discusses that almost every single person who ever looks at a painting scans it first for something that is relatable. And nothing is any more relatable to people then faces and eyes. The reason why this was so important is because the image Sam told me to study had fantastic use of the eyes and expressions. Unfortunately, I can not think of the artist otherwise I'd pull up an example. But anyway, all the eyes led the viewer exactly where the artist intended. If you looked at it your eyes almsot followed everyone elses gaze through the image and it was fantastic.

So, instead of focusing on simple shapes I moved on to other things that I don't do enough in my compositions. The main thing that came up that I noticed in two Frazetta pieces that I looked over was rhythm. Having the same shape repeatedly throughout the image to make it all sort of work together.

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Since noticing it I've tried applying it to my Bloodsports piece. Another thing that I can't really add into it (it'd have to take some serious planning) is visual metaphors. For example: The image below is a piece also by Frank Frazetta showing Conan fighting off a large wave of enemies. Now if ou notice once everything is sort of simplified into the most apparent lines doesn't it almost resemble waves? With Conan's arm swinging back creating one about to crash? It's amazing, now I'm not sure this is what Frazetta was going for, but I love the idea of composing a composition like that and really want to try for one that also uses a visual metaphor. You could argue that it's simply a triangle composition, but cmon have a little more enthusiasm and vision :P

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Finally, for those that don't follow my blog I try to keep up discussions like this so for anyone that wants to follow and check it out or whatevs then the link is below :P

http://forrestimel.blogspot.com/

Anyway that's kind of what I've been thinking about lately. Another thing that's been bothering me lately has been value, but that discussion is for a different day. For now here's some stuff I've done :D

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great to see the amount of work you've been doing Forrest! Keep it up!
Thanks Joshua :)

Progress on my Bloodsports and a study :D

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Nice study and I like a lot the way your Bloodsport piece is going ! KEEP IT UP :D
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