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James's Sketch Book - Printable Version

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RE: James's Sketch Book - Jamesxwu - 04-28-2017

pine tree on slope




RE: James's Sketch Book - Jamesxwu - 04-28-2017

Cacti on a cliff, ultramarine and burnt sienna study





RE: James's Sketch Book - Jamesxwu - 05-01-2017

San Fernando Blvd burnt sienna and ultramarine study




Sketches








RE: James's Sketch Book - Jamesxwu - 05-02-2017

Civil War Veteran



Angeleno Ave




RE: James's Sketch Book - Jamesxwu - 05-03-2017

skull still life in ultramarine and burnt sienna study



figure drawings





RE: James's Sketch Book - Jamesxwu - 05-03-2017

skull life with flowers





RE: James's Sketch Book - Jamesxwu - 05-05-2017

Anatomy and head studies




Aztec nude





RE: James's Sketch Book - Jamesxwu - 05-06-2017

skull life with pot and leaves


figure drawings




RE: James's Sketch Book - Jamesxwu - 05-07-2017

Sunset study





RE: James's Sketch Book - Jamesxwu - 05-08-2017

mummy




RE: James's Sketch Book - Jamesxwu - 05-09-2017

Griffith observatory view





RE: James's Sketch Book - Jamesxwu - 05-10-2017

Skull lives and a pot




figure scroll





RE: James's Sketch Book - Jamesxwu - 05-11-2017

self portrait 3





RE: James's Sketch Book - Jamesxwu - 05-12-2017








RE: James's Sketch Book - Artloader - 05-17-2017

I'm loving your oils James, your colours just work so well!

You mentioned that you use colour swatches to match your colours, would you mind elaborating a little please?

Keep posting!


RE: James's Sketch Book - Nick Waldinger - 05-17-2017

Hey man, good stuff! Make sure to watch your proportion; the woman's (with the green cloak/covering) right leg feels like it has no structure or anything underneath. Try being decisive with your block in and really get everything correct before putting paint to canvas. That said, I've only done a little bit of traditional work myself but I understand how hard it can be :P

Keep at it! You're doing great!


RE: James's Sketch Book - Jamesxwu - 06-02-2017

@Nick, thanks it was done in a workshop, i don't have time to correct everything in 3hrs though

@artloader thanks, i don't use color swatches in doing tradition, depending on where your sitting and the lighting of the subject, it might be impossible to match the exact illumination with your canvas in real life unless you have a light behind you that can match that exact illumination. So if the model is lit let's say and your painting in a dark corner your painting will always appear darker than the model, so you just have to judge value relationships and contrast by eyeballing it pretty much.

Aria Rising