02-03-2017, 02:32 PM
TRIGGERED: Eyyy, yea man, well if you want proof I wrote a book here ya go
https://www.amazon.com/Turkisss-World-Fl...1479710350
and if you wanna hear some demo's I was fooling around with a few years ago, boom; Expect more in like... a few years lol
https://soundcloud.com/user-248235680
I was also in this band as a drummer for while. I was filling in till they found a new guy. (I'm on drums on the last two songs)
https://giger.bandcamp.com/album/giger-live
Thanks man! But I ain't that good lol
Dev: My man glad you like it, thanks! And it went very well actually!
Sooo the talk with Zoe today was really eye opening. She actually doesn't think i suck! She even said some of my stuff looked "lovely." So, basically my biggest issue is that my art doesn't have a narrative, which is essential in illustration. I got sucked into the world of drawing a cool dude looking cool for the sake of looking cool. And I know you guys might like the raven lady, but she made a good point that it looks like two different paintings in one, and neither of them connect. Like the only reason she could tell she's a witch is by her costume. There's no reason why she's sitting there with a raven, as they're not interacting. She said the witch looked like a "bored model" as if that was my reference and well, she was right.
She said my best pieces on my artstation was Ori, Mazlin, and the skull. They have the most narrative in their expression and feel the most compelling and relatable.
She reccomended I read more stories and highlight the things i find visually stimulating in them. She picked the Lovecraft story Dagon, since I mentioned i enjoyed his works. So i went through and read the two page story again and got a hell of a lot more out of it this time. I got some ideas for the composition of one like, he's getting caught carving the primitive markings on the stone in a dynamic looking up shot, the other where he's standing and terrorizing the man lost on the island with his size near the rock. The other is a kind of odd idea, since at the end of the story, the narrator believes the creature followed him to civilization and is about to enter his apartment before he jumps from the window and commits suicide. So I liked the idea of this weird amphibious creature opening a hotel room door, since that sort of thing is a bit eerie and sparks a lot of questions to anyone who might realistically see hat scene unfold.
Im gonna sleep on it and see if I can think of any other ideas. Gonna try to do this a lot more, just read somethin and draw it. And Zoe's a great help, I highly recommend getting a review from her if you feel stuck, it's not expensive, and she's super sweet and experienced; not once did I feel bad or like I was some hopeless loser.
You can find her services here if your interested
http://training.theartorder.com/zoe_robinson
https://www.amazon.com/Turkisss-World-Fl...1479710350
and if you wanna hear some demo's I was fooling around with a few years ago, boom; Expect more in like... a few years lol
https://soundcloud.com/user-248235680
I was also in this band as a drummer for while. I was filling in till they found a new guy. (I'm on drums on the last two songs)
https://giger.bandcamp.com/album/giger-live
Thanks man! But I ain't that good lol
Dev: My man glad you like it, thanks! And it went very well actually!
Sooo the talk with Zoe today was really eye opening. She actually doesn't think i suck! She even said some of my stuff looked "lovely." So, basically my biggest issue is that my art doesn't have a narrative, which is essential in illustration. I got sucked into the world of drawing a cool dude looking cool for the sake of looking cool. And I know you guys might like the raven lady, but she made a good point that it looks like two different paintings in one, and neither of them connect. Like the only reason she could tell she's a witch is by her costume. There's no reason why she's sitting there with a raven, as they're not interacting. She said the witch looked like a "bored model" as if that was my reference and well, she was right.
She said my best pieces on my artstation was Ori, Mazlin, and the skull. They have the most narrative in their expression and feel the most compelling and relatable.
She reccomended I read more stories and highlight the things i find visually stimulating in them. She picked the Lovecraft story Dagon, since I mentioned i enjoyed his works. So i went through and read the two page story again and got a hell of a lot more out of it this time. I got some ideas for the composition of one like, he's getting caught carving the primitive markings on the stone in a dynamic looking up shot, the other where he's standing and terrorizing the man lost on the island with his size near the rock. The other is a kind of odd idea, since at the end of the story, the narrator believes the creature followed him to civilization and is about to enter his apartment before he jumps from the window and commits suicide. So I liked the idea of this weird amphibious creature opening a hotel room door, since that sort of thing is a bit eerie and sparks a lot of questions to anyone who might realistically see hat scene unfold.
Im gonna sleep on it and see if I can think of any other ideas. Gonna try to do this a lot more, just read somethin and draw it. And Zoe's a great help, I highly recommend getting a review from her if you feel stuck, it's not expensive, and she's super sweet and experienced; not once did I feel bad or like I was some hopeless loser.
You can find her services here if your interested
http://training.theartorder.com/zoe_robinson
70+Page Koala Sketchbook: http://crimsondaggers.com/forum/thread-3465.html SB
Paintover thread, submit for crits! http://crimsondaggers.com/forum/thread-7879.html
[color=rgba(255, 255, 255, 0.882)]e owl sat on an oak. The more he saw, the less he spoke.[/color]
Paintover thread, submit for crits! http://crimsondaggers.com/forum/thread-7879.html
[color=rgba(255, 255, 255, 0.882)]e owl sat on an oak. The more he saw, the less he spoke.[/color]