01-27-2014, 03:52 PM
...I'm falling behind! shit, gotta crank it out!
![[Image: AHaTQH9.gif]](https://i.imgur.com/AHaTQH9.gif)
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Not sure what your guys idea is on studying comps, I think its general values to determine overall compositional elements? Anyhooz. I really want to get a lot better at panel layouts for comics simultaneously, so I'm going to add that into the mix. Doing movie stills is interesting in contrast to comics since a lot of the compositional transitions deal with movement and scene transitions, which you don't have with single illustrations. Also, with comics you have to consider the entire page's transitions in an initial visual-read of that composition. -its cool too to think about what format you're making the composition for, i.e. digital web page transitions, book/magazine page turning format, smartphone scroll-downs, et cetera. without further adieu...
COMPOSITIONS! O_o
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![[Image: 12166954023_5121b1cda4_c.jpg]](http://farm6.staticflickr.com/5492/12166954023_5121b1cda4_c.jpg)
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Not sure what your guys idea is on studying comps, I think its general values to determine overall compositional elements? Anyhooz. I really want to get a lot better at panel layouts for comics simultaneously, so I'm going to add that into the mix. Doing movie stills is interesting in contrast to comics since a lot of the compositional transitions deal with movement and scene transitions, which you don't have with single illustrations. Also, with comics you have to consider the entire page's transitions in an initial visual-read of that composition. -its cool too to think about what format you're making the composition for, i.e. digital web page transitions, book/magazine page turning format, smartphone scroll-downs, et cetera. without further adieu...
COMPOSITIONS! O_o
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