12-27-2017, 02:36 PM
Hornbro: Yeeea man, Darth is a trip lmao! I watched most the Dawkins Greatest Hits channel it was insanely entertaining hearing his sophistry nailed down and even put up against his influences like William Lain Craig and that Bohnsen guy... probably spelled both those names wrong lol. I only saw Dawkins because he came into the Ask Yourself Discord which i hang in most the time and tried to prove God exists with his Presuppositional whirlwind hehe. He got pissy and left when two of his "Stalkers" showed up and wanted to ask the "pal-talk power ranger" questions lmao
He's just soo... interesting and such a pitiful little man that he has done this for a decade. I want to get into more philosophy but it's tough... I've been into debate for years and only learned bits and pieces of philosophy just due to necessity of it coming up in debates on ethics/epistemology/veganism. I listen to debates and seldom engage as entertainment, so its tough to absorb raw philisophy that is absent of context as i just get bored and would rather learn more art. But maybe soon I will develop more an attention span for it, as I'd love to read some Hume and Schopenhauer stuff as well as anything that could help decipher the extreme epistemological apologetics of Darwin's Deity. But thanks for the recommendations bro, I put them in my very long list of things to look into haha. Neo-paganism is in there somewhere hehe
"Keep doing what you're doing!" Don't get that a lot LOL!
Did a bunch of composition studies today that are just scribblies but found some interesting theories for composing a scene with multiple characters. So basically the eye lines of characters is crucial, but also the interactions of their limbs/objects etc. The more overlaps/touching limbs/objects the more story you can convey and it can really help getting the idea for the rest of the scence. I think Algenplfeger said once that the hardest part is just coming up with a scribble to represent your idea and the rest is crafstmanship. Ass in chair time. I see what he means.
You can take a scene and just spin it from different camera angles using simple scribbles if you have a rudimentary gist of perspective. Also Bill Perkins is pretty beast and im finishing up his composition stuff on NMA. This sketch is from the film RAW, but everyone i showed it to thinks it's a guy lol, owell, probably the neck size in comparison to the head/jaw; that and the hair is pulled back and there isn't many female cues in the reference anyways!
He's just soo... interesting and such a pitiful little man that he has done this for a decade. I want to get into more philosophy but it's tough... I've been into debate for years and only learned bits and pieces of philosophy just due to necessity of it coming up in debates on ethics/epistemology/veganism. I listen to debates and seldom engage as entertainment, so its tough to absorb raw philisophy that is absent of context as i just get bored and would rather learn more art. But maybe soon I will develop more an attention span for it, as I'd love to read some Hume and Schopenhauer stuff as well as anything that could help decipher the extreme epistemological apologetics of Darwin's Deity. But thanks for the recommendations bro, I put them in my very long list of things to look into haha. Neo-paganism is in there somewhere hehe
"Keep doing what you're doing!" Don't get that a lot LOL!
Did a bunch of composition studies today that are just scribblies but found some interesting theories for composing a scene with multiple characters. So basically the eye lines of characters is crucial, but also the interactions of their limbs/objects etc. The more overlaps/touching limbs/objects the more story you can convey and it can really help getting the idea for the rest of the scence. I think Algenplfeger said once that the hardest part is just coming up with a scribble to represent your idea and the rest is crafstmanship. Ass in chair time. I see what he means.
You can take a scene and just spin it from different camera angles using simple scribbles if you have a rudimentary gist of perspective. Also Bill Perkins is pretty beast and im finishing up his composition stuff on NMA. This sketch is from the film RAW, but everyone i showed it to thinks it's a guy lol, owell, probably the neck size in comparison to the head/jaw; that and the hair is pulled back and there isn't many female cues in the reference anyways!
70+Page Koala Sketchbook: http://crimsondaggers.com/forum/thread-3465.html SB
Paintover thread, submit for crits! http://crimsondaggers.com/forum/thread-7879.html
[color=rgba(255, 255, 255, 0.882)]e owl sat on an oak. The more he saw, the less he spoke.[/color]
Paintover thread, submit for crits! http://crimsondaggers.com/forum/thread-7879.html
[color=rgba(255, 255, 255, 0.882)]e owl sat on an oak. The more he saw, the less he spoke.[/color]