03-01-2019, 01:19 PM
Hobbit: Many thanks again for the writeup. I didnt know i could push a piece this far tbh.. like the clouds and buildings, the way i ended up rendering them was a complete happy accident. I fixed the hand, tried to reduce the harshness of the contrast, more easy on the eyes. I lowered the color of the buildings, and the overall red in the sky. I was thinkin a piotr jablonski vibe on the clouds.
The windows and such, im not sure how to work a reflection in, because i want them to be the brighter color they are, but I also like the very ominous black sky, so i may have to compromise and make the windows very dusty and not as reflective, which does exist, especially in abandoned buildings. However, there is a hint of a reflection, it ended up looking to clean, so i dirtied it up with some dark masses.
Im gonna try after life drawing to push it any further, but i am running out of ideas and a lot of things feel complete, specially at the higher res im working on, which is about 4k pixels wide. I rendered the absolute dogshit out of the wood, the glass, the cloth material, buildings, clouds, working in some tasty lost edges, i didnt know it would just keep adding on, guess all that charcoal pencil stuff pays off.
Anyways, im itchin to get back to regular sketching and figure studies, as well as doing some gouche paintings of yea still life kinda stuff. gouache is fun, its a lot of wrestling and fighting with edges, makes me appreciate them more when you literally gotta smash the brush just the right way, im always excited :D
But yea ill definitely at least clean it up a good deal and make the contrast ideal, because right now it feels a tad bright, but its getting very close. I think a lot of things are too sharp, kinda iffy on contrast here and there, too blurry etc. Putting it as my wallpaper is a good way to check the image fully stretched out so thats a good habit to have since things also jump out that way
The windows and such, im not sure how to work a reflection in, because i want them to be the brighter color they are, but I also like the very ominous black sky, so i may have to compromise and make the windows very dusty and not as reflective, which does exist, especially in abandoned buildings. However, there is a hint of a reflection, it ended up looking to clean, so i dirtied it up with some dark masses.
Im gonna try after life drawing to push it any further, but i am running out of ideas and a lot of things feel complete, specially at the higher res im working on, which is about 4k pixels wide. I rendered the absolute dogshit out of the wood, the glass, the cloth material, buildings, clouds, working in some tasty lost edges, i didnt know it would just keep adding on, guess all that charcoal pencil stuff pays off.
Anyways, im itchin to get back to regular sketching and figure studies, as well as doing some gouche paintings of yea still life kinda stuff. gouache is fun, its a lot of wrestling and fighting with edges, makes me appreciate them more when you literally gotta smash the brush just the right way, im always excited :D
But yea ill definitely at least clean it up a good deal and make the contrast ideal, because right now it feels a tad bright, but its getting very close. I think a lot of things are too sharp, kinda iffy on contrast here and there, too blurry etc. Putting it as my wallpaper is a good way to check the image fully stretched out so thats a good habit to have since things also jump out that way
70+Page Koala Sketchbook: http://crimsondaggers.com/forum/thread-3465.html SB
Paintover thread, submit for crits! http://crimsondaggers.com/forum/thread-7879.html
[color=rgba(255, 255, 255, 0.882)]e owl sat on an oak. The more he saw, the less he spoke.[/color]
Paintover thread, submit for crits! http://crimsondaggers.com/forum/thread-7879.html
[color=rgba(255, 255, 255, 0.882)]e owl sat on an oak. The more he saw, the less he spoke.[/color]