06-11-2014, 05:56 AM
Hey, that's cool! Regarding the picture of the skin: if you take a solid gray background when painting from a photo ref, it will look realy different and weird. Right now, you probably did not notice the shadows on the female's skin and hair having a purple tone, and a blue tone on the shirt.
Your last painting of the landscape looks quite good actually, I love the mountains! A question but, do you turn your drawing to greyscale sometimes when painting? It may help you to spot your values, since the main problem you got now would be that your painting looks washed out, because the value difference between your foreground and midground is not that apparent.
I like the poses in your gestures. They are rather solid and their intention is clear. However try to use more fluent lines and they will be perfect! Right now they miss their dynamics because the flow of lines are interrupted as there are so many.
I love to see more imagination apples with applied colour theory ;) Nah, anything is fine, keep it up!
Your last painting of the landscape looks quite good actually, I love the mountains! A question but, do you turn your drawing to greyscale sometimes when painting? It may help you to spot your values, since the main problem you got now would be that your painting looks washed out, because the value difference between your foreground and midground is not that apparent.
I like the poses in your gestures. They are rather solid and their intention is clear. However try to use more fluent lines and they will be perfect! Right now they miss their dynamics because the flow of lines are interrupted as there are so many.
I love to see more imagination apples with applied colour theory ;) Nah, anything is fine, keep it up!