10-15-2015, 10:10 PM
I'm doing great, thanks. Was a bit touch and go there-- Got kinda demotivated, but then pulled myself up again.
So glad to see you're still working hard and doing lots of amazing stuff!
I doubt I could critique your work at this point-- I just love your figures and your studies. Great way to learn from the skeleton and whatnot. Great ideas.
But, I dooo have a question! When you're doing studies, are you trying to get the most accurate colour from it? For example-- With the arch you did way-back-when, you used a more saturated purple, and I really love the effect it made on the piece. I'm wondering if I'm not taking my studies the wrong way-- Trying to pick the 'perfect colour', and making it perfectly accurate, when I should be just getting within the ballpark, but still learning from the composition?
But, yeah-- Squinting is definitely helping me, thanks for your tips in my SB. And keep rocking!
So glad to see you're still working hard and doing lots of amazing stuff!
I doubt I could critique your work at this point-- I just love your figures and your studies. Great way to learn from the skeleton and whatnot. Great ideas.
But, I dooo have a question! When you're doing studies, are you trying to get the most accurate colour from it? For example-- With the arch you did way-back-when, you used a more saturated purple, and I really love the effect it made on the piece. I'm wondering if I'm not taking my studies the wrong way-- Trying to pick the 'perfect colour', and making it perfectly accurate, when I should be just getting within the ballpark, but still learning from the composition?
But, yeah-- Squinting is definitely helping me, thanks for your tips in my SB. And keep rocking!