10 Mar 04:11
--well no...you can have expertise...but doesn't mean, you have it all figured out
10 Mar 04:11
--well no...you can have expertise...but doesn't mean, you have it all figured out
10 Mar 04:10
--ye saw that i just have a tendency to question everything i do even if i think i "know" it
10 Mar 04:09
--Check out my YT channel. The Environment design rocks playlist has stuff on depth, contrast etc
10 Mar 04:09
--and it always makes me laught when people draw rectangles and triangles and subdivisions around a 500 year old pieces " SEE this is art"
10 Mar 04:09
--One other thing is that you have to worry about is symbol drawing in envoronments as well. You could just cut out mountain-like shapes with a select tool, but that has serious limitations, and you start running into problems the moment you're suppsed to decide where to put shadows.
10 Mar 04:08
--now composition thats a tricky one since ive read countless books on that and it seems each one ahs its own version of it
10 Mar 04:07
--Basic rule: Contrast diminishes with distance....colour of objects gets shifted more towards the environment/light colour
10 Mar 04:06
--yeah i guess the thing that confuses me does the local value of the objectsget closer to the value of the atmosphere or does the local value remains the same but only the contrast changes
10 Mar 04:04
--always winged those but it gets to point where drawing the same kind of mountain over and over wont cut it
10 Mar 04:03
--FEEL IT thats kind of true you dont want your figures to feel like plastic men with muscles stacked on top
10 Mar 04:02
--but as the old French Atelier's would say. "you have to feel ze life wizin ze muzzles"