11-15-2016, 11:57 PM
Welcome to the forums! :D
I think that the second thumbnail is a step in the right direction. You want to be intimate. I might even rotate the camera a little bit and ZOOM in more.
You see, all the space on the left is just pretty much empty. Nothing's going on there! It serves no purpose. It's void.
There's a lot that you might want to think when composing the image.
Where did the witch come from? where is the gate? How is the house and the lawn of the witch oriented? How is the next scene going to be?
But, before all that - What do you want the audience to feel? Do you want them to feel sad for the little witch whose expectations and dreams were shattered? Do you want them to feel angry that the grandma gave up on her and went all techy?
Think about all that, JOT THEM POINTS DOWN! And then go from there. It's a cute little concept seed, now go make a tree out of it!
I think that the second thumbnail is a step in the right direction. You want to be intimate. I might even rotate the camera a little bit and ZOOM in more.
You see, all the space on the left is just pretty much empty. Nothing's going on there! It serves no purpose. It's void.
There's a lot that you might want to think when composing the image.
Where did the witch come from? where is the gate? How is the house and the lawn of the witch oriented? How is the next scene going to be?
But, before all that - What do you want the audience to feel? Do you want them to feel sad for the little witch whose expectations and dreams were shattered? Do you want them to feel angry that the grandma gave up on her and went all techy?
Think about all that, JOT THEM POINTS DOWN! And then go from there. It's a cute little concept seed, now go make a tree out of it!