02-18-2019, 09:31 AM
I love how detailed you go. You can tell that you really consider the scene and the narrative when you're drawing.
The three biggest things I'd say you could improve on right now are form, composition, and dynamic posing.
Composition book I found helpful (I read it free somewhere, I think it was Scribd)
https://www.amazon.com/Framed-Ink-Drawin...1933492953
Dynamic figures
https://www.amazon.com/Force-Dynamic-Dra...ZC9GHHRDGZ
Short response, sorry, got to get off here.
The three biggest things I'd say you could improve on right now are form, composition, and dynamic posing.
Composition book I found helpful (I read it free somewhere, I think it was Scribd)
https://www.amazon.com/Framed-Ink-Drawin...1933492953
Dynamic figures
https://www.amazon.com/Force-Dynamic-Dra...ZC9GHHRDGZ
Short response, sorry, got to get off here.
Sketchbook (updated daily) https://crimsondaggers.com/forum/thread-8600.html
discord: Beau#4149
1. Use the biggest brush possible for a given passage.
2. Paint large shapes first, followed by small shapes.
3. Save your tonal and chromatic accents until the last.
4. Try to soften any edge that doesn’t need to be sharp.
5. Take time to get the center of interest right.
Or, the briefer version: (B.L.A.S.T.)
Big brushes.
Large to small.
Accents last.
Soften edges.
Take your time.
(James Gurney)
discord: Beau#4149
1. Use the biggest brush possible for a given passage.
2. Paint large shapes first, followed by small shapes.
3. Save your tonal and chromatic accents until the last.
4. Try to soften any edge that doesn’t need to be sharp.
5. Take time to get the center of interest right.
Or, the briefer version: (B.L.A.S.T.)
Big brushes.
Large to small.
Accents last.
Soften edges.
Take your time.
(James Gurney)