05-05-2020, 03:03 AM
I think drawing stuff in profile is often a weak choice, there are many ways you can show size difference with perspective.
for instance...
Google "daenerys dragon" and look at how the story board artists arrange her compositions with dragons. Most of them have a "big medium small" dynamic. Your picture, the girl is Big, the dragon is Big and the castle is medium but almost big.
https://d.newsweek.com/en/full/1430037/w...666bf74c0f
This one for instance^ Big woman, small dragon legs, medium dragon body.
https://shawetcanada.files.wordpress.com...&strip=all
Big dragon, small pocket of background, medium woman
https://images.squarespace-cdn.com/conte...drogon.jpg
Big sky, medium dragon small woman.
Notice how the profiles of the dragons only serves to enhance the flow of the gesture in the composition
https://www.nydailynews.com/resizer/F2hA...VQ3WIU.jpg
See how this gesture goes from left to right, to the focal point
https://i.ytimg.com/vi/42wM-1yp7R0/maxresdefault.jpg
This image is interesting, the dragon gesture is strong and goes left, she pulls right, but isnt big enough to outweigh the dragons pull.
https://www.denofgeek.com/wp-content/upl...=768%2C432
This is like a dip shape, going up in a curved line.
your image is a concave shape, like the impacting lines
https://writingexplained.org/wp-content/...nvex-1.png
this kills the flow of gesture, especially in am amorous way. Its a slamming motion, best used for fighting. Go for a more graceful curved parallel line choice.
id reccomend getting some of Matessi's books on Force or watching some of his free videos online; he also has a site im signed up on for 20$ a month; i think his philosophy could greatly help you loosed up on your gestures and advance quickly with the right intuitions
for instance...
Google "daenerys dragon" and look at how the story board artists arrange her compositions with dragons. Most of them have a "big medium small" dynamic. Your picture, the girl is Big, the dragon is Big and the castle is medium but almost big.
https://d.newsweek.com/en/full/1430037/w...666bf74c0f
This one for instance^ Big woman, small dragon legs, medium dragon body.
https://shawetcanada.files.wordpress.com...&strip=all
Big dragon, small pocket of background, medium woman
https://images.squarespace-cdn.com/conte...drogon.jpg
Big sky, medium dragon small woman.
Notice how the profiles of the dragons only serves to enhance the flow of the gesture in the composition
https://www.nydailynews.com/resizer/F2hA...VQ3WIU.jpg
See how this gesture goes from left to right, to the focal point
https://i.ytimg.com/vi/42wM-1yp7R0/maxresdefault.jpg
This image is interesting, the dragon gesture is strong and goes left, she pulls right, but isnt big enough to outweigh the dragons pull.
https://www.denofgeek.com/wp-content/upl...=768%2C432
This is like a dip shape, going up in a curved line.
your image is a concave shape, like the impacting lines
https://writingexplained.org/wp-content/...nvex-1.png
this kills the flow of gesture, especially in am amorous way. Its a slamming motion, best used for fighting. Go for a more graceful curved parallel line choice.
id reccomend getting some of Matessi's books on Force or watching some of his free videos online; he also has a site im signed up on for 20$ a month; i think his philosophy could greatly help you loosed up on your gestures and advance quickly with the right intuitions
70+Page Koala Sketchbook: http://crimsondaggers.com/forum/thread-3465.html SB
Paintover thread, submit for crits! http://crimsondaggers.com/forum/thread-7879.html
[color=rgba(255, 255, 255, 0.882)]e owl sat on an oak. The more he saw, the less he spoke.[/color]
Paintover thread, submit for crits! http://crimsondaggers.com/forum/thread-7879.html
[color=rgba(255, 255, 255, 0.882)]e owl sat on an oak. The more he saw, the less he spoke.[/color]