03-23-2023, 09:10 AM
Uh-ho, this last speed painting exorcism would indeed serve the graphic novel very well. Straight to story telling, no drowning into details. I would just refine the eyes a little bit further as a focal point. Thank you for the info dump, I really didn't mean to pry but I also exaggeratedly enjoy discussing settings and what-ifs and the consequences of these and the consequences of the consequences...
The Vess-inspired WIP already has perfectly readable volume and light. You even have the skin-diffused terminator lines at this early stage! It is more stern and dramatic than the original, I like it. Sketchbook - Stunning fabric and hair renders! With just a pencil. Impossible. Smiling at the enjoyable salad of legs and lizards, I suggest also drawing mermaids with very long twisted tails.
Timed practice: I hate the pressure but I love it when something readable comes out which I would have never made this way taking my time. It also teaches efficiency which is vital in a comic, but utmost efficiency has a dark side: It can stick one in a rut and kill imagination.
Amazed again at all the advice you provide here and there.
The Vess-inspired WIP already has perfectly readable volume and light. You even have the skin-diffused terminator lines at this early stage! It is more stern and dramatic than the original, I like it. Sketchbook - Stunning fabric and hair renders! With just a pencil. Impossible. Smiling at the enjoyable salad of legs and lizards, I suggest also drawing mermaids with very long twisted tails.
Timed practice: I hate the pressure but I love it when something readable comes out which I would have never made this way taking my time. It also teaches efficiency which is vital in a comic, but utmost efficiency has a dark side: It can stick one in a rut and kill imagination.
Amazed again at all the advice you provide here and there.