04-18-2013, 07:30 PM
![[Image: dd0O1SO.jpg]](http://i.imgur.com/dd0O1SO.jpg)
I’m embarking on another series, this time fetching females:-) A slightly different challenge to extend my learning from all the male studies I have done recently. I’m still concentrating on learning rendering, lighting and hard vs soft edges. Andrew Loomis suggests that a pleasing female illustration should have an absence of details to make them seem softer and moreyouthful, so its an exercise in only showing so much and implying the rest.
![[Image: Yufj9TN.jpg]](http://i.imgur.com/Yufj9TN.jpg)
![[Image: Dnb0iUg.gif]](http://i.imgur.com/Dnb0iUg.gif)
![[Image: oAANRog.jpg]](http://i.imgur.com/oAANRog.jpg)
This portrait of George Lazenby ( the best Bond ) was a quick 1 hour study before bed that I thought came out well. I read somewhere that the darkest areas of a form are usually just after the tangent to the lightsource, so I am trying to emphasize that along with the extreme noir contrast which blows out and eliminates detail. Using blues to add moodiness ended up with a pleasing illustrative look that I hope to turn into a series of studies.
Daggers!