04-28-2014, 12:18 PM
danny, ya upload so much stuff, i get your motivated and all, but ya probably could save a lotta time just uploading like 2 or three things you want feedback on! idk maybe your internets like cheetah beast mode mine aint.
you think i can do perspective better than you?? that's wierd... maybe i'm not seeing something lawl.
i like your zombie guy and shark they make me giggle for some reason especially in the group shot, idk they just look goofy to me ;p. He's just like uuuuuuuuuuuuuuuuuuuuuuurhg and the sharks like MURMURMURMURMUR
hmmm trust me danny values are #1 in painting and that will never change, everyone knows it, even craig mullins preaches it. BUT! temperature is important, and i that trick i told ya about knockin the hues around maybe i'll go more in depth...
obvsly you need to get a good flat base layed down first because that's the core, get that sht tight. then get like a brush that isn't too hard you know like a soft brush and if you're in like the reds and you want a cooler color, knock it over to the violets and desaturate; want hotter go the other way, saturate more, avoid greens though greens are ugly james gurney will tell ya that, use olives and really desaturate greens instead. just gotta experiment with it i cant stress enough!
i like to think that you can convey ALOT with diff hues, just look at rigney's dark queen guenevere advanced. It's practically greyscale, but it will work in just about any color http://cryptcrawler.deviantart.com/art/D...-363207550
It's nuts, but he's doin the same shit, making as much hue variation as possble with texture brushes and blending them in slowly that's how you get that effect. also using photo bashing helps :> but that's not the point! gotta get your hands dirty, more dirty, but don't forget to clean it up but you can DOO IT!
you think i can do perspective better than you?? that's wierd... maybe i'm not seeing something lawl.
i like your zombie guy and shark they make me giggle for some reason especially in the group shot, idk they just look goofy to me ;p. He's just like uuuuuuuuuuuuuuuuuuuuuuurhg and the sharks like MURMURMURMURMUR
hmmm trust me danny values are #1 in painting and that will never change, everyone knows it, even craig mullins preaches it. BUT! temperature is important, and i that trick i told ya about knockin the hues around maybe i'll go more in depth...
obvsly you need to get a good flat base layed down first because that's the core, get that sht tight. then get like a brush that isn't too hard you know like a soft brush and if you're in like the reds and you want a cooler color, knock it over to the violets and desaturate; want hotter go the other way, saturate more, avoid greens though greens are ugly james gurney will tell ya that, use olives and really desaturate greens instead. just gotta experiment with it i cant stress enough!
i like to think that you can convey ALOT with diff hues, just look at rigney's dark queen guenevere advanced. It's practically greyscale, but it will work in just about any color http://cryptcrawler.deviantart.com/art/D...-363207550
It's nuts, but he's doin the same shit, making as much hue variation as possble with texture brushes and blending them in slowly that's how you get that effect. also using photo bashing helps :> but that's not the point! gotta get your hands dirty, more dirty, but don't forget to clean it up but you can DOO IT!
70+Page Koala Sketchbook: http://crimsondaggers.com/forum/thread-3465.html SB
Paintover thread, submit for crits! http://crimsondaggers.com/forum/thread-7879.html
[color=rgba(255, 255, 255, 0.882)]e owl sat on an oak. The more he saw, the less he spoke.[/color]
Paintover thread, submit for crits! http://crimsondaggers.com/forum/thread-7879.html
[color=rgba(255, 255, 255, 0.882)]e owl sat on an oak. The more he saw, the less he spoke.[/color]