05-08-2014, 01:42 AM
compositionally im wondering if it would be better snaking from behind the horse (but pushed back a lot with atmos. pers.), and coming round in an arc to face the rider a bit further top right? It would give the eye a nice swooping motion which would help with the rhythm of the piece, and also pull direct forcus to the rider first, and then the dragon second, setting up a focal hierarchy (At the moment our focus is really divided i feel)
nice piece btw! could do a really rough paintover if you'd like?
nice piece btw! could do a really rough paintover if you'd like?