08-18-2014, 12:21 AM
Looks good so far. You've got some cool and creative ideas here.
I'd recommend to watch out for muddy colors and values, especially in skin. You can often see in your studies that you see each and every scratchy brush stroke and it doesn't really read like smooth skin. Big soft brushes are often your friend when working with skin.
I looked at some of your gestures on the previous page and if you can you should try and get your hands on a Glenn Vilppu book or video series. He breaks down how to analyse and abstract the human figure very well and I think you'd benefit a lot from that. It really improves the overall way you sketch/draw/paint.
Anyway. Keep studying and working hard.
I'd recommend to watch out for muddy colors and values, especially in skin. You can often see in your studies that you see each and every scratchy brush stroke and it doesn't really read like smooth skin. Big soft brushes are often your friend when working with skin.
I looked at some of your gestures on the previous page and if you can you should try and get your hands on a Glenn Vilppu book or video series. He breaks down how to analyse and abstract the human figure very well and I think you'd benefit a lot from that. It really improves the overall way you sketch/draw/paint.
Anyway. Keep studying and working hard.
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