01-24-2015, 07:47 AM
Hey guys awesome work! I really aim to get back to arting regularly soon so I can contribute; I spontaneous-quit my job last week and aim to amp up freelance, so come mid Feb I should have a bit more time until money issues force me into non art work again. (hopefully not)
Ihor, I like the desaturated enviros actually with the touch of colour vibration. The values are solid.
Art 44 and Ihor, and anyone doing enviros, remember to change up the POV and perspective as well: they are all looking flat out at some vista. Also maybe try and avoid "dude with stick" syndrome sometimes. I know it's an easy out for scale, but there are other solutions.
Jyonny: you are mixing it up right, just maybe be a bit tighter on your perspective, even in these quick thumbs.
Slapper: I think you need to pay much more attention to building and showing form. Before jumping into paint, perhaps do some line work that focuses on building primitives and any objects using just a centre line and surface contours to define the surface. Peter Han's dynamic sketching class in CGMA uses this approach. Lighting will be easier to nail if you nail the form.
Ihor, I like the desaturated enviros actually with the touch of colour vibration. The values are solid.
Art 44 and Ihor, and anyone doing enviros, remember to change up the POV and perspective as well: they are all looking flat out at some vista. Also maybe try and avoid "dude with stick" syndrome sometimes. I know it's an easy out for scale, but there are other solutions.
Jyonny: you are mixing it up right, just maybe be a bit tighter on your perspective, even in these quick thumbs.
Slapper: I think you need to pay much more attention to building and showing form. Before jumping into paint, perhaps do some line work that focuses on building primitives and any objects using just a centre line and surface contours to define the surface. Peter Han's dynamic sketching class in CGMA uses this approach. Lighting will be easier to nail if you nail the form.