04-30-2019, 08:35 AM
I think i still need to go back to the drawing board and refine more the shape and edge control. Also, i should go back and breakdown the brushwork in it´s simplest form, value alone, no colour.
I did another pause on my folio works to concentrate on the esssentials. Forced myself to study artists i admire and their brushwork in value; the amazing work of Igor Sid and Sangsoo Jeong, and one piece from Algenpfleger.
I think it´s helping a lot and i´m seeing some perspective i haven´t paid attention before. All the credit to them.
To push this notion further, i´ve forced myself also to pick an old shelve concept of a samurai and finish it in a short amount of time.
Also two value studies and one commission for a friend.
Studies from Igor Sid, Sangsoo Jeong and Algenpfleger ( and Jeremy but i forgot the last name :S):
[attachment=112181]
[attachment=112188]
[attachment=112189]
[attachment=112190]
I did another pause on my folio works to concentrate on the esssentials. Forced myself to study artists i admire and their brushwork in value; the amazing work of Igor Sid and Sangsoo Jeong, and one piece from Algenpfleger.
I think it´s helping a lot and i´m seeing some perspective i haven´t paid attention before. All the credit to them.
To push this notion further, i´ve forced myself also to pick an old shelve concept of a samurai and finish it in a short amount of time.
Also two value studies and one commission for a friend.
Studies from Igor Sid, Sangsoo Jeong and Algenpfleger ( and Jeremy but i forgot the last name :S):
[attachment=112181]
[attachment=112188]
[attachment=112189]
[attachment=112190]