07-02-2015, 08:11 PM
"Specularity stuff in here is something that seems like a great idea until you actually use this in a painting"
Yeah I guess keep it simple. The billiard balls just personally throw me off a bit in terms of visualisation, but I guess technically it wouldn't matter. All the info is there.
"Also that tool... cool in theory. It's way to easy to get terrifying results though! "
Ha, yeah it's a totally crap UI, and artist choice will always play the predominant part in pallette choices, so any tool can and will result in terrifying results. And yeah the models look horrible too. :)
I will definitely give it a go and see how it would fit it into my process well. Without doing a painting with it, it's all just theoretical on my part really. I do see how for something like colour keys or comics, where objects have consistent colours, but different lighting situations, this might be very efficient.
Yeah I guess keep it simple. The billiard balls just personally throw me off a bit in terms of visualisation, but I guess technically it wouldn't matter. All the info is there.
"Also that tool... cool in theory. It's way to easy to get terrifying results though! "
Ha, yeah it's a totally crap UI, and artist choice will always play the predominant part in pallette choices, so any tool can and will result in terrifying results. And yeah the models look horrible too. :)
I will definitely give it a go and see how it would fit it into my process well. Without doing a painting with it, it's all just theoretical on my part really. I do see how for something like colour keys or comics, where objects have consistent colours, but different lighting situations, this might be very efficient.