01-17-2016, 12:23 AM
Hey! You're doing really great. Reilly rhythms, skulls and planed out heads is really the way to go to get better at this stuff - you can try Asaro heads too to get more complex with the planes sometimes too.
You've got some good sense of form going, I think what could help you is to learn the shapes of some of the smaller parts of the skull - specifically the brow / keystone / eye sockets and then how the cheekbones wrap from behind and merge into that piece. They will give much more sense of realism and delicacy and you can get your eye sockets nice and deep.
I did a few notes on this stuff over one of your practice constructions, also showing how I use the rhythms to keep stuff locked in with each other so the chin doesn't float away from the eyes. All this stuff I got from Vilppu and Ron Lemen - if you can get hold of Vilppu's head drawing lectures they really explain the skull parts a lot better.
(let me know if you don't understand anything, I might have crammed too much info on one page)
Bigger version is here: http://imgur.com/QKwhL30
![[Image: HgWs7LD.jpg]](http://i.imgur.com/HgWs7LD.jpg)
You've got some good sense of form going, I think what could help you is to learn the shapes of some of the smaller parts of the skull - specifically the brow / keystone / eye sockets and then how the cheekbones wrap from behind and merge into that piece. They will give much more sense of realism and delicacy and you can get your eye sockets nice and deep.
I did a few notes on this stuff over one of your practice constructions, also showing how I use the rhythms to keep stuff locked in with each other so the chin doesn't float away from the eyes. All this stuff I got from Vilppu and Ron Lemen - if you can get hold of Vilppu's head drawing lectures they really explain the skull parts a lot better.
(let me know if you don't understand anything, I might have crammed too much info on one page)
Bigger version is here: http://imgur.com/QKwhL30