02-20-2019, 12:26 AM
How do I get so unbelievably tired? I mistyped that so much even
In the chains, I'm just trying to familiarize myself with the patterns and flows of it.
In the satchels, finding out how satchels look. Lame studies today. I know they don't look great, they're practice for the barbarian pieace, which will be done tomorrow. Can't wait to share it.
![[Image: Illustration27.png]](https://cdn.discordapp.com/attachments/545098090374496269/547422104241307669/Illustration27.png)
Getting into full throttle art mode again starting tomorrow- I'm not going to be human for a while, lol
![[Image: i7tyfi7di.png]](https://cdn.discordapp.com/attachments/545098090374496269/547421997207126018/i7tyfi7di.png)
In the chains, I'm just trying to familiarize myself with the patterns and flows of it.
In the satchels, finding out how satchels look. Lame studies today. I know they don't look great, they're practice for the barbarian pieace, which will be done tomorrow. Can't wait to share it.
Getting into full throttle art mode again starting tomorrow- I'm not going to be human for a while, lol
Sketchbook (updated daily) https://crimsondaggers.com/forum/thread-8600.html
discord: Beau#4149
1. Use the biggest brush possible for a given passage.
2. Paint large shapes first, followed by small shapes.
3. Save your tonal and chromatic accents until the last.
4. Try to soften any edge that doesn’t need to be sharp.
5. Take time to get the center of interest right.
Or, the briefer version: (B.L.A.S.T.)
Big brushes.
Large to small.
Accents last.
Soften edges.
Take your time.
(James Gurney)
discord: Beau#4149
1. Use the biggest brush possible for a given passage.
2. Paint large shapes first, followed by small shapes.
3. Save your tonal and chromatic accents until the last.
4. Try to soften any edge that doesn’t need to be sharp.
5. Take time to get the center of interest right.
Or, the briefer version: (B.L.A.S.T.)
Big brushes.
Large to small.
Accents last.
Soften edges.
Take your time.
(James Gurney)