05-04-2020, 08:11 AM
I'm all up for faking perspectives honestly, some interesting paintings/drawings do combine perspectives in subtle ways or hide the points that cause trouble.
Well you know having horror in placid ways can be a good hook, because it causes contrast and the viewer is left there to wonder, but you still need a line and sinker? Ha ha. Something for the viewer not to be left out wondering and grow confused, so message, that's why I ask you what is the goal of making the artwork, if you can figure that out then you can go on with the ideas flowing.
I have been feeling the same myself, humans are feeling like not the thing to pursue for me either, but damn ha ha, I know nothing about creature design, yours are very damn convincing! I think I saw once somebody doing anatomical drawings of creatures and myths like so, you usually just have a longer ribcage and two scapula -> arm bones sets? One below the other, so they don't overlap, yours go, inwards? I guess that could work too, like put them sideways, a wider ribcage, but the muscle attachments to the column and ribcage then, some go under the other scapula, might be trouble, but who the hell knows ha ha, it's all make believe. Actually so long you can make someone be convinced something works, you did your job, is all smoke and mirrors here.
I agree with Zorrentos composition advice, personally I'm more interested as to why it's hiding, and from what? The sun? That maybe influence what you would like to add on the other side.
Well you know having horror in placid ways can be a good hook, because it causes contrast and the viewer is left there to wonder, but you still need a line and sinker? Ha ha. Something for the viewer not to be left out wondering and grow confused, so message, that's why I ask you what is the goal of making the artwork, if you can figure that out then you can go on with the ideas flowing.
I have been feeling the same myself, humans are feeling like not the thing to pursue for me either, but damn ha ha, I know nothing about creature design, yours are very damn convincing! I think I saw once somebody doing anatomical drawings of creatures and myths like so, you usually just have a longer ribcage and two scapula -> arm bones sets? One below the other, so they don't overlap, yours go, inwards? I guess that could work too, like put them sideways, a wider ribcage, but the muscle attachments to the column and ribcage then, some go under the other scapula, might be trouble, but who the hell knows ha ha, it's all make believe. Actually so long you can make someone be convinced something works, you did your job, is all smoke and mirrors here.
I agree with Zorrentos composition advice, personally I'm more interested as to why it's hiding, and from what? The sun? That maybe influence what you would like to add on the other side.