01-22-2023, 10:42 AM
Wow you were so fast with the crocolancer! Monochrome looks fine, the thumbnail actually evoked a comic panel to me so I wasn't expecting a grandiose tapestry with a zillion secondary focus points. The tribe sent her to scout where an intruder from the Shark tribe was spied last moon, and she suddenly hears something unusual on the left, all clear to me!
And talking about focus points, reading your entire sketchbook I noticed that you initially tended to introduce too many focus points by detailing the texture of all the surfaces. You gradually grew out of it and this is a good thing.
You have a great sense of composition but once in a while you get some postures a bit stiff, and the characters' gazes absent-minded. I can point them out more specifically if you wish, but you may already know what i'm talking about.
Out of your latest thumbnails, Thin Ice (number 4) is an interesting composition and setting, with many challenges if the sun is low on either side. I also like vertical 3 for the dramatic mood (and horizontal 2 to a lesser extent).
And talking about focus points, reading your entire sketchbook I noticed that you initially tended to introduce too many focus points by detailing the texture of all the surfaces. You gradually grew out of it and this is a good thing.
You have a great sense of composition but once in a while you get some postures a bit stiff, and the characters' gazes absent-minded. I can point them out more specifically if you wish, but you may already know what i'm talking about.
Out of your latest thumbnails, Thin Ice (number 4) is an interesting composition and setting, with many challenges if the sun is low on either side. I also like vertical 3 for the dramatic mood (and horizontal 2 to a lesser extent).