Today, 01:14 AM
(03-20-2025, 03:17 AM)cgmythology Wrote: Fantastic updates! You're figure work is getting better and better, and the use of light on your latest is very convincing. Very well done, keep it up!
Thank you! I think I'm pretty much finished with the Iron Fist piece. If I get better with digital I may take a swing at colouring it.
(03-21-2025, 02:04 AM)Jephyr Wrote: Loving your new stuff especially Atjazz
Thank you, I've started on an Atjazz coloured piece. Problem is now that I've left it I can see where the proportions are off.

(04-09-2025, 12:10 AM)JavierP Wrote: Hi Dominicque! I think your feelings are very valid, especially considering the state of the world these days. I think it is due to our access to so much media all the time. When I was much younger, there was no internet and I had very little access to printed media. I drew the things I liked and was unable to compare myself to many, much better, artists. I think that point in time helped me to develop as an Illustrator, mentally more than anything else.
I would really suggest you foster that kind of environment for yourself. Stay away from the noise of social media and focus on the things you want to make. Don't let the weight of the world's problems and preoccupations be a factor in your creative journey. At the end of the day, we are making these images for our own satisfaction and enjoyment. Try to find that place again. It will make your art journey so much more satisfying and less stressful. You do great work! Don't worry so much about the rest. Good luck.
The only social media that existed when I was a kid was Facebook and the now defunct (Bebo). Even then I was never truly active on them. It was more like DA and GaiaOnline for me. (And jealously fear lurking CA.org). I was intrinsically motivated, like most kids, but after showing work at an early age and having had negative criticism, I became much more extrinsically motivated where I was too preoccupied with how people would react to something I never let myself develop. As such I don't have a lot of juvenilia to look back on. Even just throwing out a sketch, I think it 'must be fully rendered', but it really doesn't. I am taking my time and having to remind myself that's OK. I just get bored easily. The only person I should try to please is myself!. (But, my standards are far too high.

(04-10-2025, 01:49 PM)Noone Wrote: The Pearl and Natural/Matte is supposedly for sketching, the 602 for note taking, holds a point better, so for me better if you want very sharp linework. Just marketing, you can use a lump of burnt wood to draw with. They are just high quality pencils in general.
Paper is a wide ranging topic to get into. Totally depends on what you prefer. Ofc if you want your work to not degrade the minimal label you want is acid free. Most artist focused papers will be anyway. For me, basically the smoother the paper the more sharp and smooth detail you can achieve: bristol paper /board for example. Totally depends on preference. Moleskines for example take graphite beautifully and they are more on the smooth side. I use Fabriano paper of various types that are good, Stonehenge and Canson also. I've also drawn on paper from rolls I stretched myself, and gessoed wood or Acm panels with nice results and easier to frame than loose sheets. Totally up to you to try and figure out what you like according to budget over time. Find artists you like and see what they use to get their results can be a way to narrow down.
Eventually the question of how to take good quality digital scans/photos of your work will rear, and then you can revisit what I've said and do some research then. In general, I think a good quality camera is better than a run of the mill document scanner still, these days.The main issue you will find is dealing with the glare from graphite, which is what using a polarised light and a polarised camera lens filter removes.
I've been viewing numerous videos on pencils and paper and have been jotting them down. I have tried a Bristol type board, but it's wayyy too smooth for me. I want some tooth, but the paper at the nearest art shop seems to have too much for me. I've heard of Fabriano and Arches Hot Press paper for coloured pencil artists and I deffo wanna try it, but I would love to feel the texture first to know how much pressure/how many layers are needed. I purchased a Moleskine well over a decade ago now (Wowzers) to use 'once I got good enough'

(04-13-2025, 08:43 PM)Crowbit Wrote: OMG! These are looking amazing, a real evident upgrade on the rose piece.
Also, real nice job on those harsh edges you have on the bust piece.
Please keep feeding me more of the pencil sketches there so refreshing ^^
Haha, that's the most enthusiastic reaction I've received from my art, thus far.

Good news, I have more pencil sketches underdevelopment. They are pretty much just (rendered out) thumb compositions. I definitely love doing them. Less pressure to do a full piece and it aides in any development.
I'm trying to go back to digital now. Felt weird to post without any images to back it up, but it is my sketchbook!