05-16-2014, 01:46 AM
duude, nice stuff! figure studies have tons of good construction going on.
I think some more clothing studies would help you out, with a focus on different types of fabrics. Right now all your drapery looks sort of like starchy linen with stiff, sharp folds that don't care too much about gravity and only change shape when the body moves and they need to.
Other materials will care more about gravity and the forms they're wrapping around and will be willing to change shape more readily, some will have way more folds that other materials would because they're softer. See if you can draw a few figures wearing the same kind of shirt or dress but make one look like it's cotton and one look like it's silk and one look like it's linen
I think the expressions in your rainfall stuff could be more fun and expressive, it seems like you're too worried about getting the construction and anatomy right and not letting the emotion shine through. Have you ever seen any of Mamoru Hosoda's movies? I think his characters emote really well, and they make that nervous, freaking-out-on-the-inside face your main character does a lot. Maybe watch Summer Wars and do some studies from it, if you think it'd be worth it XD
or kill la kill or anything hiroyuki imaishi has done
cool stuff bro, keep killing it!
I think some more clothing studies would help you out, with a focus on different types of fabrics. Right now all your drapery looks sort of like starchy linen with stiff, sharp folds that don't care too much about gravity and only change shape when the body moves and they need to.
Other materials will care more about gravity and the forms they're wrapping around and will be willing to change shape more readily, some will have way more folds that other materials would because they're softer. See if you can draw a few figures wearing the same kind of shirt or dress but make one look like it's cotton and one look like it's silk and one look like it's linen
I think the expressions in your rainfall stuff could be more fun and expressive, it seems like you're too worried about getting the construction and anatomy right and not letting the emotion shine through. Have you ever seen any of Mamoru Hosoda's movies? I think his characters emote really well, and they make that nervous, freaking-out-on-the-inside face your main character does a lot. Maybe watch Summer Wars and do some studies from it, if you think it'd be worth it XD
or kill la kill or anything hiroyuki imaishi has done
cool stuff bro, keep killing it!