02-02-2014, 12:30 AM
Adzerak
Yeah I always try to do it as soon as possible! It helps a bunch, then complementing it with notes. Maybe you should, but then again only do it if it's what you really feel! Because it's so easy to always compare yourself!
True, I really like that kind of philosophy that if you have a focal point rendered out, the rest of the piece needs to have that quality.
I'm not really that focused in my pieces, some people render everything out one section at a time. But I just can't do that. So it's more of a jumping around the canvas finding spots to polish all the time.
But there's a great point in establishing everything first, getting the fundamentals right in the beginning. Need to remember that more often, cause damnit, alway find myself pushing sketche further than planned work.
Thanks for the comment bro! :D
Tygerson
Ooh that's awesome Tygerson! Haven't seen that myself in these, but it is truly different in the process of studying. Harder and more rewarding to try and decipher those damn colors.
Thank you! I should play around with it some more then :D
Crackedskull
Thanks Cracked! I will.
Yes you're so right, there's nothing wrong with exaggeration at all. To be honest I try to tell people to exaggerate, but not always doing it myself in practice. Next piece that I do will focus on a more dynamic and fun pose. Movement and all that jazz.
Thanks dude, you're doing well too! :D
Exploding on to the scene with a sketch that still applies what I did in an earlier study. The thing that dragged it down is that I tried something entirely new, which is water. It was a challenge though, even for a short sketch.
An uninspired spitpainting, black skull. I shouldn't look at everyone's entries before painting these. Then it's all about the "originality" and shit P:
Spoon number 6 and 7. Not so much to say. Realized the importance of textures. Sometimes the surface of an object can have two textures. Didn't use an electrical light source for number 7, I did enjoy that more. Had a colder feel to it and at the same time the colors weren't an enigma to solve. I think that many times when you have a very clear source of color/light, it can fix itself in your mind. Not allowing you to interpret it. As is the case for me with orange from my light.
Okay, I had something to say, sorry.
Nazgul study, didn't get a chance to apply it. But I love cloth that's like this. Dirty, textured and hanging!
And the necromancer is now finished, for good or for bad. Initially I wanted it to be a fairly quick illustration but that failed. Atleast this painting was enjoyable all the way through.
Yeah I always try to do it as soon as possible! It helps a bunch, then complementing it with notes. Maybe you should, but then again only do it if it's what you really feel! Because it's so easy to always compare yourself!
True, I really like that kind of philosophy that if you have a focal point rendered out, the rest of the piece needs to have that quality.
I'm not really that focused in my pieces, some people render everything out one section at a time. But I just can't do that. So it's more of a jumping around the canvas finding spots to polish all the time.
But there's a great point in establishing everything first, getting the fundamentals right in the beginning. Need to remember that more often, cause damnit, alway find myself pushing sketche further than planned work.
Thanks for the comment bro! :D
Tygerson
Ooh that's awesome Tygerson! Haven't seen that myself in these, but it is truly different in the process of studying. Harder and more rewarding to try and decipher those damn colors.
Thank you! I should play around with it some more then :D
Crackedskull
Thanks Cracked! I will.
Yes you're so right, there's nothing wrong with exaggeration at all. To be honest I try to tell people to exaggerate, but not always doing it myself in practice. Next piece that I do will focus on a more dynamic and fun pose. Movement and all that jazz.
Thanks dude, you're doing well too! :D
Exploding on to the scene with a sketch that still applies what I did in an earlier study. The thing that dragged it down is that I tried something entirely new, which is water. It was a challenge though, even for a short sketch.
An uninspired spitpainting, black skull. I shouldn't look at everyone's entries before painting these. Then it's all about the "originality" and shit P:
Spoon number 6 and 7. Not so much to say. Realized the importance of textures. Sometimes the surface of an object can have two textures. Didn't use an electrical light source for number 7, I did enjoy that more. Had a colder feel to it and at the same time the colors weren't an enigma to solve. I think that many times when you have a very clear source of color/light, it can fix itself in your mind. Not allowing you to interpret it. As is the case for me with orange from my light.
Okay, I had something to say, sorry.
Nazgul study, didn't get a chance to apply it. But I love cloth that's like this. Dirty, textured and hanging!
And the necromancer is now finished, for good or for bad. Initially I wanted it to be a fairly quick illustration but that failed. Atleast this painting was enjoyable all the way through.