08-09-2016, 02:19 PM
Habbit: Thanks for being real with me man; But look, the stuff that's in those crates was not done in vein. There's a strange grasp and feel to form and 3d space (as well as gesture) i have engrained in my head now, a wild sense of lines, and visual library. It's more about honing that in to something tangible, like a wild energy; gotta put some nuts and bolts in it haha.
It's really weird how my art journey is almost perfectly parallel to my music journey (Aside from the fact I haven't dropped it and pursued something else.) With music i just kinda fumbled around very enthusiastically for a few years before i even started to care about the theory behind it. But i learned a lot of techniques, most of them very advanced, but they weren't really 100% presentable (Maybe only 60% presentable.) Kind of the jack of all trades syndrome, oh learn this, oh well i kinda got it down, learn that, oh i kinda got it, learn that. You know...
It was the first day i had to play guitar to a click track; everything just was put into perspective and it was like, Okay you have to get this right now. I rejected it for a long ass time thinking i would be the exception who didn't need a click track, (And some people dont) but eventually i gave in and really became best friends with it. Play the man's game. Sometimes i play without a click though, just to be naughty. That and I hate the mans game. But those things that were 60% presentable quickly got up to the 95% range because i had a whole new way of thinking about rhythm. But I'm grateful i fucked around that long because i needed the energy expended, and the excitement.
Gettin yer hands dirty.
It's now funny whenever i hear my buddies talking about recording and complaining about how hard it is to work with a click... Been there right? Wanna art job? play the man's game; That's fine, i can handle that, but one day I'm gonna turn around and make the man cry because I'm the coolest guy ever.
Thanks for stopping by my sketchbook whoever you are.
Look if i could have it my way I'd just scream and flail about energetically, because that's what i love to do. But the next best thing to that is a creative field cuz, well... I don't know any fields you could do that in.
So I'm moving on to figures for a bit; more boring ass fundamental stuff. I saw a comment by Kimonas i really liked, he said. "I think the people who have the most patience for the boring stuff end up being the best." Or something like that.
It's really weird how my art journey is almost perfectly parallel to my music journey (Aside from the fact I haven't dropped it and pursued something else.) With music i just kinda fumbled around very enthusiastically for a few years before i even started to care about the theory behind it. But i learned a lot of techniques, most of them very advanced, but they weren't really 100% presentable (Maybe only 60% presentable.) Kind of the jack of all trades syndrome, oh learn this, oh well i kinda got it down, learn that, oh i kinda got it, learn that. You know...
It was the first day i had to play guitar to a click track; everything just was put into perspective and it was like, Okay you have to get this right now. I rejected it for a long ass time thinking i would be the exception who didn't need a click track, (And some people dont) but eventually i gave in and really became best friends with it. Play the man's game. Sometimes i play without a click though, just to be naughty. That and I hate the mans game. But those things that were 60% presentable quickly got up to the 95% range because i had a whole new way of thinking about rhythm. But I'm grateful i fucked around that long because i needed the energy expended, and the excitement.
Gettin yer hands dirty.
It's now funny whenever i hear my buddies talking about recording and complaining about how hard it is to work with a click... Been there right? Wanna art job? play the man's game; That's fine, i can handle that, but one day I'm gonna turn around and make the man cry because I'm the coolest guy ever.
Thanks for stopping by my sketchbook whoever you are.
Look if i could have it my way I'd just scream and flail about energetically, because that's what i love to do. But the next best thing to that is a creative field cuz, well... I don't know any fields you could do that in.
So I'm moving on to figures for a bit; more boring ass fundamental stuff. I saw a comment by Kimonas i really liked, he said. "I think the people who have the most patience for the boring stuff end up being the best." Or something like that.
70+Page Koala Sketchbook: http://crimsondaggers.com/forum/thread-3465.html SB
Paintover thread, submit for crits! http://crimsondaggers.com/forum/thread-7879.html
[color=rgba(255, 255, 255, 0.882)]e owl sat on an oak. The more he saw, the less he spoke.[/color]
Paintover thread, submit for crits! http://crimsondaggers.com/forum/thread-7879.html
[color=rgba(255, 255, 255, 0.882)]e owl sat on an oak. The more he saw, the less he spoke.[/color]