02-13-2014, 07:25 AM
Thanks:)
Yeah, stroke economy or whatever it's called:D I actually don't have that problem when painting traditionally, I think I can make a "finished" piece with just two opaque strokes or two million opaque strokes, which would represent batches of info next to each other. But when it comes to digital painting, due to different behavior of medium and approach, I end up either making transitional strokes indefinitely and mudding it up (if I go with low opacity/pressure sensitivity) or simply having bunch of unreadable plastic chunks of color/value with too "arrogant" transitions that kill the suspension of disbelief (if I go the high opacity route) :D
Gah, I would kill if I had some grandmaster sitting in a room with me:)
Yeah, stroke economy or whatever it's called:D I actually don't have that problem when painting traditionally, I think I can make a "finished" piece with just two opaque strokes or two million opaque strokes, which would represent batches of info next to each other. But when it comes to digital painting, due to different behavior of medium and approach, I end up either making transitional strokes indefinitely and mudding it up (if I go with low opacity/pressure sensitivity) or simply having bunch of unreadable plastic chunks of color/value with too "arrogant" transitions that kill the suspension of disbelief (if I go the high opacity route) :D
Gah, I would kill if I had some grandmaster sitting in a room with me:)