02-17-2019, 11:16 AM
Didn't do anything productive yesterday, aside form a couple hours of client work- in the next twelvish hours I'll have four studies posted. Until then, here's some stuff.
I had the nerve to call this a study, but I'm not counting it because I clearly wasn't trying at all
![[Image: Illustration3.jpg]](https://cdn.discordapp.com/attachments/545098090374496269/546487204847812620/Illustration3.jpg)
![[Image: Bettyroughs.png]](https://cdn.discordapp.com/attachments/545098090374496269/546503597483884582/Bettyroughs.png)
![[Image: Capture.PNG]](https://cdn.discordapp.com/attachments/545098090374496269/546499211068178434/Capture.PNG)
Colors on her are super rough. I've only finalized the background and the lines above.
Betty from Madmen, the pigeon shooting scene
Her right shouler actually looks big, I have to fix that
Here is the original unfinished piece from a few months ago. I wanted to finish it, but I decided to redo everything but the background.
![[Image: Betty.png]](https://cdn.discordapp.com/attachments/545098090374496269/546501471181733898/Betty.png)
I had the nerve to call this a study, but I'm not counting it because I clearly wasn't trying at all
Colors on her are super rough. I've only finalized the background and the lines above.
Betty from Madmen, the pigeon shooting scene
Her right shouler actually looks big, I have to fix that
Here is the original unfinished piece from a few months ago. I wanted to finish it, but I decided to redo everything but the background.
Sketchbook (updated daily) https://crimsondaggers.com/forum/thread-8600.html
discord: Beau#4149
1. Use the biggest brush possible for a given passage.
2. Paint large shapes first, followed by small shapes.
3. Save your tonal and chromatic accents until the last.
4. Try to soften any edge that doesn’t need to be sharp.
5. Take time to get the center of interest right.
Or, the briefer version: (B.L.A.S.T.)
Big brushes.
Large to small.
Accents last.
Soften edges.
Take your time.
(James Gurney)
discord: Beau#4149
1. Use the biggest brush possible for a given passage.
2. Paint large shapes first, followed by small shapes.
3. Save your tonal and chromatic accents until the last.
4. Try to soften any edge that doesn’t need to be sharp.
5. Take time to get the center of interest right.
Or, the briefer version: (B.L.A.S.T.)
Big brushes.
Large to small.
Accents last.
Soften edges.
Take your time.
(James Gurney)