05-05-2020, 03:28 AM
so im gonna go on a weird limb for my thoughts on the dragon painting, i dont know if this is a valid critique...
I feel like his head is forced into the composition, instead of embracing the ambiguity of his behind. to be honest, its difficult to tell what hes doing or how big his body is or what its true shape is. im enjoying how the trees are playing a counter rythm to his gesture, that looks very good.
In my head, im seeing like a dragon prowling through the woods, doing his own thing, but you see his behind and that wing coming out to the side. It's just tough to see exactly what the action is... is he hurt? is he hunting? is he waking up from a nap? I can't really tell
I feel like his head is forced into the composition, instead of embracing the ambiguity of his behind. to be honest, its difficult to tell what hes doing or how big his body is or what its true shape is. im enjoying how the trees are playing a counter rythm to his gesture, that looks very good.
In my head, im seeing like a dragon prowling through the woods, doing his own thing, but you see his behind and that wing coming out to the side. It's just tough to see exactly what the action is... is he hurt? is he hunting? is he waking up from a nap? I can't really tell
70+Page Koala Sketchbook: http://crimsondaggers.com/forum/thread-3465.html SB
Paintover thread, submit for crits! http://crimsondaggers.com/forum/thread-7879.html
[color=rgba(255, 255, 255, 0.882)]e owl sat on an oak. The more he saw, the less he spoke.[/color]
Paintover thread, submit for crits! http://crimsondaggers.com/forum/thread-7879.html
[color=rgba(255, 255, 255, 0.882)]e owl sat on an oak. The more he saw, the less he spoke.[/color]