03-18-2023, 07:03 AM
The problem i would argue is your perception of the task and your previous experience of the task.If you don't build small victory and leave with a bad taste in your mouth you simply don't want to come back.Alot of issue we carry is due to mindset not because of leak of talent or muscle memory those can be overcome aswell.
For gesture i would say if you are more comfortable with longer session i would say you could work backward so instead of having 1 to 5 min gesture or even 30 sec one you can try let say do 2x30min 4x15min that would be in the case of if you have let say 2 hour to spare as you see you start from a space of confidence and as you warm up you decrease the amount of time for the subsquent ''study'' of course my example highlight that it probably best not to have such a high degree of difference in the amount of time(30/15) session of longer or short duration like it would probably be good for stress level to have something where there isn't much difference in the level of finish you can achieve.After all
you would feel depress by the level of finish between the longer and shorter session if one is double the time of the other.Also in my time doing similar atelier i remember them putting us into the uncomfortable position first and than as time advance the gesture would turn into longer study this might work for a person who never drew before as they have no expectation... but in your case you do so i propose a inverted approch longer season and than short and shorter one.Of course the idea is that over time you move from needing long introductionary study to just having what gesture is about which is about capturing the essence of the pose.
The point should never be to compare the longer season to the render level of the shorter one.Oh and also the point is that even if the time is up you move on to the next.Bad drawing are a thing we all want to hide because they make us doubt we skill.But they are actually the only way to notice when we make leap in understanding of fundamental principle and rendering capacity.
For gesture i would say if you are more comfortable with longer session i would say you could work backward so instead of having 1 to 5 min gesture or even 30 sec one you can try let say do 2x30min 4x15min that would be in the case of if you have let say 2 hour to spare as you see you start from a space of confidence and as you warm up you decrease the amount of time for the subsquent ''study'' of course my example highlight that it probably best not to have such a high degree of difference in the amount of time(30/15) session of longer or short duration like it would probably be good for stress level to have something where there isn't much difference in the level of finish you can achieve.After all
you would feel depress by the level of finish between the longer and shorter session if one is double the time of the other.Also in my time doing similar atelier i remember them putting us into the uncomfortable position first and than as time advance the gesture would turn into longer study this might work for a person who never drew before as they have no expectation... but in your case you do so i propose a inverted approch longer season and than short and shorter one.Of course the idea is that over time you move from needing long introductionary study to just having what gesture is about which is about capturing the essence of the pose.
The point should never be to compare the longer season to the render level of the shorter one.Oh and also the point is that even if the time is up you move on to the next.Bad drawing are a thing we all want to hide because they make us doubt we skill.But they are actually the only way to notice when we make leap in understanding of fundamental principle and rendering capacity.
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The journey of an artist truly begin when he can learn from everyone error.
Teamwork make your dream work.
Asking help is the key to growth.
The journey of an artist truly begin when he can learn from everyone error.
Teamwork make your dream work.
Asking help is the key to growth.