02-06-2022, 02:25 PM
Hell yeah! love how you're cranking out these polished illustrations.
As usual, i find u have a a good sense of lighting and rendering, but I think this framing/compositions could become a bit more engaging.
Get ready for literally the worst paintover you will ever see lmao. That being said, I hope you don't mind the feedback.
I think camera optics and placement would be something helpful to look into- like cinema stuff and how cinematographers shoot visually interesting films, using where and how they place the camera to best frame the action going on. Even things like FOV, aperture, and exposure could benefit ur work a lot and really dial in that cinematic vibe that i'm getting from them.
In my sketchover thing below, I used ur last piece and just applied some of it there: I introduced 3pt perspective and lowered our "imaginary" camera/view point to play up more of that drama. I also tilted the whole comp a bit clockwise for more.....suspense. I think in the film world, it's called a 'dutch tilt' or something?? Seeing that our camera is now way lower, we could also bring in some rocks/debris into our foreground to really maximize depth! Maybe even some more broken concrete with rebar could be fun.
In orange, i marked some spots that could catch more light from the big hole in the wall- especially our main character. I think that'd be a great spot for lighting to be used as a storytelling element, even if not 100% realistic. Finally, in green, I'm imagining a big ray of light bleeding in from that hole, also highlighting lots of dust, smoke, and/or particles in the air. Said dust could be a great tool for pushing and pulling characters/objects closer or further in the comp too, adding to the depth where u see fit.
Sorry if that was a lot or unwarranted, cheers!
As usual, i find u have a a good sense of lighting and rendering, but I think this framing/compositions could become a bit more engaging.
Get ready for literally the worst paintover you will ever see lmao. That being said, I hope you don't mind the feedback.
I think camera optics and placement would be something helpful to look into- like cinema stuff and how cinematographers shoot visually interesting films, using where and how they place the camera to best frame the action going on. Even things like FOV, aperture, and exposure could benefit ur work a lot and really dial in that cinematic vibe that i'm getting from them.
In my sketchover thing below, I used ur last piece and just applied some of it there: I introduced 3pt perspective and lowered our "imaginary" camera/view point to play up more of that drama. I also tilted the whole comp a bit clockwise for more.....suspense. I think in the film world, it's called a 'dutch tilt' or something?? Seeing that our camera is now way lower, we could also bring in some rocks/debris into our foreground to really maximize depth! Maybe even some more broken concrete with rebar could be fun.
In orange, i marked some spots that could catch more light from the big hole in the wall- especially our main character. I think that'd be a great spot for lighting to be used as a storytelling element, even if not 100% realistic. Finally, in green, I'm imagining a big ray of light bleeding in from that hole, also highlighting lots of dust, smoke, and/or particles in the air. Said dust could be a great tool for pushing and pulling characters/objects closer or further in the comp too, adding to the depth where u see fit.
Sorry if that was a lot or unwarranted, cheers!
Sketchbook: http://crimsondaggers.com/forum/thread-8823.html