Coby's sketch book
#61

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#62






Followed James Zapata's Gumroad tut and other studies.
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#63










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#64
quick sketch and study dump



















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#65











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#66





More study's/ Still life and some hands from a photo.
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#67






Attached Files Image(s)


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#68
Study
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#69
Nice volume of studies and work! Keep it uppp :)

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#70
@pnate thank you.





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#71
Some watercolors studies and some sketches.














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#72
Hey thanks for posting on my thread, you got some serious work in here, I love your studies, great thread, keep it up!!
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#73
Hey Chrisferz, Thanks.

More sketches I did earlier in the week a couple wips and some studies.











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#74









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#75


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#76




Whats up daggers? Just an update.
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#77
o___________o 
Lots of fascinating stuff in here, Coby! Must be all the experimentation that you do!

Those watercolour fishies are divine, btw <3 

I guess I would say to try and vary your edges to get a more solid form happening, as well as taking material properties into account and how light would react with them, like for example:


Did a quick paint over demo'ing some stuff. 

So I used a hard-edge brush and tried to give the figure a bit more "weight" and "solidness".

If you're painting an image that has fire in it, it's really hard for the image to *pop* if the canvas isn't a bit dark from the get-go. So, by adding a multiply layer and filling it with a darker colour, then linking a layer mask to the layer by clicking on the [  O  ] button on the layer toolbar and painting in black where I wanted to subtract darkness, I was quickly able to give the painting a bit more dimension.

In addition to this, I adjusted the levels to get rid of any 0% blacks that you had in your image prior. Also painted over some areas that were unnecessarily dark, like her hair. Try to make it a habit not to use anywhere below 10% black in your images (and the same goes with whites, no large areas with above 90% white. Peak highlights are fine, depending on how you use them), because you illustration will end up looking flat/lifeless.

Also, really try to think about an object and its property in regards to light. It helps a lot :D
Oh and also concentrate on where you light source is in the image and stick to it!

I hope this has helped in some way, just my two cents,

Keep up the hard work! o/!

sketchbook | pg 52
"Not a single thing in this world isn't in the process of becoming something else."
I'll be back - it's an odyssey, after all
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#78
@smrr Thank you for the paintover and the input. I Struggled with this image allot. I have been having a hard time with lighting as you can see. The paintover helps greatly as I can see exactly what your talking about.
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#79
Nice ladies, enviro thumbnails have good colors.

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#80
@crackedskull Thank you. I need to do more thumbs more often.
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