09-01-2023, 09:08 PM
I disagree with the comment from Rotten on the light aspect personally i read the scene as an overcast day with a slight piercing of light from the cloud.For the skull i think it still a bit undercook in my opinion that why the form doesn't read but i also agree that the finger just look to allign in the axis of thing.
It easy to critic when you don't do those complex scene yourself but it doesn't discard the overall critic but this in my opinion in your top 5 in term of complexity because of the number of object in the scene the overall amount of different texture the lighting also changing from the front to the back of the piece.
I am not saying this your best piece either but look back and compare the women viking to the god of wars piece or to your viking guy and i personally say you have improve since.
Certainly it can be hard to compare different lighting scenerio but what is really important i think it to look at how your form read how your texture read and try to find a new balance personally i think i have made a few comment on the hand being one thing i would hit harder in your practice so that they have a better sense of wrapping around it easy to fastfoward the hand but there is so much realism and room for attention to detail in the hand it make a big difference between something that look like sausage to hand that look like you just been a mentored by Michael angelo .I don't blame you hand are straight intimidating so complex so versatile in movement which mean you can be sure you won't draw wto hand that look exactly the same.
It easy to critic when you don't do those complex scene yourself but it doesn't discard the overall critic but this in my opinion in your top 5 in term of complexity because of the number of object in the scene the overall amount of different texture the lighting also changing from the front to the back of the piece.
I am not saying this your best piece either but look back and compare the women viking to the god of wars piece or to your viking guy and i personally say you have improve since.
Certainly it can be hard to compare different lighting scenerio but what is really important i think it to look at how your form read how your texture read and try to find a new balance personally i think i have made a few comment on the hand being one thing i would hit harder in your practice so that they have a better sense of wrapping around it easy to fastfoward the hand but there is so much realism and room for attention to detail in the hand it make a big difference between something that look like sausage to hand that look like you just been a mentored by Michael angelo .I don't blame you hand are straight intimidating so complex so versatile in movement which mean you can be sure you won't draw wto hand that look exactly the same.