12-07-2024, 09:28 PM
The wrapping on the right arm . You are looking at an ellipse that above the horizon line the arm is going back to the elbow .That at least how i interpret it.
I also found a little flaw in the design the armor would be painful since it come to a point where the armor meet the back side of the hand so adding something underneath protect between the armor and the hand would prevent such thing from happening ultimately armor will not point like this unless the wearer also wear plated gauntlet so i either recommend you ignore the wrapping issue i pointed and transform that side into a glove or you add a small leather addition to protect from that issue.
One thing also with the perspective issue is that it mean the elbow piece as to account for the change in perspective as well.
Was curious to try a few thing but ultimately i think they would pose additional challenge and they are just my own curiosity and creative exploration.
One was changing the guard of the weapon and the other was playing around with the halo. In a creative moment when i move the halo around i thought to myself what if in a alternate universe maybe angel wear halo around there neck.
One other thing i played around was the foreshortening of the leg to be a little less dramatic.
I personally believe it would be good to have a second focal point in value to move the eye down a bit lower so the secondary focal point is not so extremely away from what in the rest of the scene. The question for you is how will you move the eye down in the composition if the first thing that generally move the eye is value. Where will the light come from from the side from the front? This will drastically change the cast shadow of the claw and how much dark and light is at the bottom of the composition since it such a big shape i think it worth taking the time to test or at least think about it.
I also found a little flaw in the design the armor would be painful since it come to a point where the armor meet the back side of the hand so adding something underneath protect between the armor and the hand would prevent such thing from happening ultimately armor will not point like this unless the wearer also wear plated gauntlet so i either recommend you ignore the wrapping issue i pointed and transform that side into a glove or you add a small leather addition to protect from that issue.
One thing also with the perspective issue is that it mean the elbow piece as to account for the change in perspective as well.
Was curious to try a few thing but ultimately i think they would pose additional challenge and they are just my own curiosity and creative exploration.
One was changing the guard of the weapon and the other was playing around with the halo. In a creative moment when i move the halo around i thought to myself what if in a alternate universe maybe angel wear halo around there neck.
One other thing i played around was the foreshortening of the leg to be a little less dramatic.
I personally believe it would be good to have a second focal point in value to move the eye down a bit lower so the secondary focal point is not so extremely away from what in the rest of the scene. The question for you is how will you move the eye down in the composition if the first thing that generally move the eye is value. Where will the light come from from the side from the front? This will drastically change the cast shadow of the claw and how much dark and light is at the bottom of the composition since it such a big shape i think it worth taking the time to test or at least think about it.