12-30-2012, 06:02 AM
holy shit pierce didnt know you had a dagger sketchbook man, like your stuff looking
good :)
one quick crit
your hitting the right values from darks to midtones but your not painting and speculars
you kinda got them going on the sexy hooded lady's hands but your not pushing the specularity of the goopie liquid on her fingers, it feels more matte than wet and lustrous.
one way to fix this is to make the high lights on her fingers much much smaller, keep the core shadows and just when the form rolls out of veiw you suttley paint-in colors from the surrounding objects on some of her fingers its the green bounce light from the hood when it should be the warm bouce from her hands.
thats the best way to imply reflectivity,
oh and dude work on your hand anatomy, i know your going for the beautiful but grotesque witch/mage/mistic look but the spikey look is kinda off puting.
if you want ref look at ruan jia's "blood glaze" pic on cg hub see how he mixes the beauty and horror in the hands, powerful stuff.
so yh man happy painting, wanna see more.
good :)
one quick crit
your hitting the right values from darks to midtones but your not painting and speculars
you kinda got them going on the sexy hooded lady's hands but your not pushing the specularity of the goopie liquid on her fingers, it feels more matte than wet and lustrous.
one way to fix this is to make the high lights on her fingers much much smaller, keep the core shadows and just when the form rolls out of veiw you suttley paint-in colors from the surrounding objects on some of her fingers its the green bounce light from the hood when it should be the warm bouce from her hands.
thats the best way to imply reflectivity,
oh and dude work on your hand anatomy, i know your going for the beautiful but grotesque witch/mage/mistic look but the spikey look is kinda off puting.
if you want ref look at ruan jia's "blood glaze" pic on cg hub see how he mixes the beauty and horror in the hands, powerful stuff.
so yh man happy painting, wanna see more.