06-04-2013, 06:53 AM
great stuff :).
TAke carel with the proportion of the heads. Work on the constructive line first and after the rendering. If your structure falls , all your drawing will fall. even if your rendering is top.
You can trace over photographs in order to get the right proportion . it s very helpful.
Loomis, Ron Lemen or Kevin Chen ro any anatomy books are good to go :)
for the last composition , be careful to not centralize the things too much, don't hesitate to llift up your horizon line . It will increase the feeling the dragon is huge . Scaling things is also another way to make more drama in this type of confrontation scene. (it is a 4 blades guy ? )
Blades can very also useful to add more dynamic in composition. you have no obligation to stay with the same blade length..can have 2 main blades and 2 other minor...It's just an idea :)
i suggest you making quick thumbnails it will helps you a lot to visualize.
keep it up . I want to see thumbnails, i love thumbnails :)
TAke carel with the proportion of the heads. Work on the constructive line first and after the rendering. If your structure falls , all your drawing will fall. even if your rendering is top.
You can trace over photographs in order to get the right proportion . it s very helpful.
Loomis, Ron Lemen or Kevin Chen ro any anatomy books are good to go :)
for the last composition , be careful to not centralize the things too much, don't hesitate to llift up your horizon line . It will increase the feeling the dragon is huge . Scaling things is also another way to make more drama in this type of confrontation scene. (it is a 4 blades guy ? )
Blades can very also useful to add more dynamic in composition. you have no obligation to stay with the same blade length..can have 2 main blades and 2 other minor...It's just an idea :)
i suggest you making quick thumbnails it will helps you a lot to visualize.
keep it up . I want to see thumbnails, i love thumbnails :)