07-29-2015, 07:29 AM
Nowio: Thank you… especially for the crit! I’ve toned down the arm a little bit, I can see where that’s a problem…
Vornag: Thank you!
meat: Yep, green is hard… and the entire landscape is full of it! I am trying to get in some warms where ever I can, but I don’t want to mix in yellow when I honestly can’t see any. Either I need to learn seeing better, or I need to get the relationship between colors, value and saturation more correct to make it look better/more real. One day I’ll learn it!
In other Vivaldi recordings, Winter is my favourite too. I just happend to stumble over Summer or this version first, and didn’t find the entire recording right away…
VoodooMama: Thank you! :)
27/07/2015
7.30 am, light rain - later on heavier rain
- very noticeable value/contrast different between rain and heavy rain (especially in the distant trees)
- later on, sun came out - distant forest is VERY blue compared to closer one - everything a LOT more colorful (yellow fields) and WAY more detail visible
- rain stopped before I finished so that is kind of done from memory
more frozen. I think I didn't post my notes last time:
- They get the „light subject before dark background“ in almost every scene - if not possible by nature of the scene, just drop a diagonal shadow from some object in the BG
- Many shadow diagonals for nice composition
- Corners and unimportant areas often in shadow, almost spot light on characters.
- Ways to create interesting light:
*Open window or door from the side
*Hallway with several open windows
*Big off-screen object casting (diagonal) shadow over parts of image
*Windowlight can make light patterns
- Framing of characters with architectural elements (windows)
- Light does not always have to make perfect sense - as long as it looks believable
Didn't post gestures for a while... did I?
Vornag: Thank you!
meat: Yep, green is hard… and the entire landscape is full of it! I am trying to get in some warms where ever I can, but I don’t want to mix in yellow when I honestly can’t see any. Either I need to learn seeing better, or I need to get the relationship between colors, value and saturation more correct to make it look better/more real. One day I’ll learn it!
In other Vivaldi recordings, Winter is my favourite too. I just happend to stumble over Summer or this version first, and didn’t find the entire recording right away…
VoodooMama: Thank you! :)
27/07/2015
7.30 am, light rain - later on heavier rain
- very noticeable value/contrast different between rain and heavy rain (especially in the distant trees)
- later on, sun came out - distant forest is VERY blue compared to closer one - everything a LOT more colorful (yellow fields) and WAY more detail visible
- rain stopped before I finished so that is kind of done from memory
more frozen. I think I didn't post my notes last time:
- They get the „light subject before dark background“ in almost every scene - if not possible by nature of the scene, just drop a diagonal shadow from some object in the BG
- Many shadow diagonals for nice composition
- Corners and unimportant areas often in shadow, almost spot light on characters.
- Ways to create interesting light:
*Open window or door from the side
*Hallway with several open windows
*Big off-screen object casting (diagonal) shadow over parts of image
*Windowlight can make light patterns
- Framing of characters with architectural elements (windows)
- Light does not always have to make perfect sense - as long as it looks believable
Didn't post gestures for a while... did I?