06-27-2013, 06:47 AM
This will mostly be ballpoint pens but if I stop being a huge chicken, there'll be some watercolor and digital stuff as well. BE WARNED, there are notes and profanity scattered through these pages.
Pronghorn hellponies. Trying to break out of static poses and draw more people/animals interacting as opposed to just standing or sitting around. Also creature/character design and attempting to show cultural differences through horse tack.
So-called "tigers", actually enormous, obligate carnivore lemurs on stlits. Smart enough to open doors and mimic animal or human cries to draw in prey.
An attempt at painting a cave palace (or a colonnade, anyways) in grayscale, then adding color on a separate layer. I didn't get to the color part because of frustration.
One of the twin conquerors in his early twenties? I guess? He's scruffy, not entirely human, and has the same warrior's haircut throughout his life. I am not sure whether the men within his culture actually grow the forelock out to pin it back as a sign of being undefeated (a la the Dothraki in ASOIAF, sans the bells) or not - my only attempts of drawing that kind of hairstyle have been embarrassing bordering on the hilarious. Ignore the wonky anatomy in the second image.
A portrait of the yet-unnamed third wife of the twin conquerors from the same setting. She is pretty and red-haired and very sad.
Rehauled beast design for one of the jerk gods in the same setting, who technically qualifies as a protagonist early on and becomes a shady and terrifying mentor figure to the aforementioned twin conquerors late in the story.
A map of one of the three continents in the setting. Not extremely accurate or reflective of scale, but a good base for more detailed topographic and political maps (both regional and worldwide) that are sure to follow.
Costume designs for one of the cultures in Samitra during a certain time period.
A forever unfinished comic page.
Animal studies.
Tree sap study.
Some kind of fat dragon.
And the decapitated head of an important character.
Pronghorn hellponies. Trying to break out of static poses and draw more people/animals interacting as opposed to just standing or sitting around. Also creature/character design and attempting to show cultural differences through horse tack.
So-called "tigers", actually enormous, obligate carnivore lemurs on stlits. Smart enough to open doors and mimic animal or human cries to draw in prey.
An attempt at painting a cave palace (or a colonnade, anyways) in grayscale, then adding color on a separate layer. I didn't get to the color part because of frustration.
One of the twin conquerors in his early twenties? I guess? He's scruffy, not entirely human, and has the same warrior's haircut throughout his life. I am not sure whether the men within his culture actually grow the forelock out to pin it back as a sign of being undefeated (a la the Dothraki in ASOIAF, sans the bells) or not - my only attempts of drawing that kind of hairstyle have been embarrassing bordering on the hilarious. Ignore the wonky anatomy in the second image.
A portrait of the yet-unnamed third wife of the twin conquerors from the same setting. She is pretty and red-haired and very sad.
Rehauled beast design for one of the jerk gods in the same setting, who technically qualifies as a protagonist early on and becomes a shady and terrifying mentor figure to the aforementioned twin conquerors late in the story.
A map of one of the three continents in the setting. Not extremely accurate or reflective of scale, but a good base for more detailed topographic and political maps (both regional and worldwide) that are sure to follow.
Costume designs for one of the cultures in Samitra during a certain time period.
A forever unfinished comic page.
Animal studies.
Tree sap study.
Some kind of fat dragon.
And the decapitated head of an important character.