01-08-2020, 08:59 AM
Hey man this is really interesting - at one time I wasn't sure if alla prima painters did underpaintings but I then read that Richard Schmid does an underpainting and now I see you are doing one here using it to almost map out your way forward?
Also the whole question of starting with a really tight drawing and then going in with paint has perplexed me for ages - I love doing line drawings and have been exploring ways of starting with a tight drawing and then going to paint but it often ends up with me losing my way during the painting stage. Your approach here seems to dispense with line drawings and so you draw as you paint. It makes me feel that line drawings and painting are mutually exclusive?
Thanks for sharing man - looking forward to the next episode :).
Also the whole question of starting with a really tight drawing and then going in with paint has perplexed me for ages - I love doing line drawings and have been exploring ways of starting with a tight drawing and then going to paint but it often ends up with me losing my way during the painting stage. Your approach here seems to dispense with line drawings and so you draw as you paint. It makes me feel that line drawings and painting are mutually exclusive?
Thanks for sharing man - looking forward to the next episode :).
“Today, give a stranger one of your smiles. It might be the only sunshine he sees all day.” -- H. Jackson Brown Jr.
CD Sketchbook
CD Sketchbook