Trying to plan a painting, break it down into elements, study said elements then apply them. So I think once I've done 2 or 3 more guns I'm going to paint 1 from imagination then move from there onto cars and do the same thing.
Not sure what i can really say that is helpful that you don't already know. But i think that you really need to sit down and nut out lighting.
You shade planes in a linear way. What i would really suggest is doing a ton of studies using nothing but a hard brush and two values without blending. It's really the best way to teach yourself consistent lighting, as it means that you can't pussyfoot around where the terminator of the shadows will be.
Keep up the work!
Drawing out of perspective is like singing out of tune. I'll throw a shoe at you if you do it. Sketch Book
Thank you for replying Muzz I'm sorry I didnt reply sooner especially since I really really hope you could provide some examples of the study you've suggested, I'm having trouble envisioning what youre suggesting I attempt.
A few studies, aimed towards the lighting I intend to use in my piece as well as a few warm up doodles and thumbnails, holy shit am I having a hard time with the construction of the head at this angle.
I think you need to really stop and identify what's wrong with your paintings when you can feel it but are unable to put your finger on it - that way you can try to actively solve the problem or study for it. If not it will remain a mystery to you :)