05-18-2020, 05:43 AM
i think your asian girl, the execution is overall better,
Here calves too short, heads too big, her entire arms too small, torsos too short, and overall her body has more of a lunging force to it in the gesture line...
I think your imaginary stuff suffers from similar issues where say the sword guy has a really small body for his head and the pose which im assuming is from memory is really stiff
The oil portrait is going in the right direction, i think his eyes are slightly too big, but the overall control is good and the tiling is relatively clean.
If you want to get better at imaginary stuff, id reccomend copying an artist whos good at that very thing, imaginative drawing. I dont feel like you have a lot of appealing tricks and tools to use when doing imagination drawing, so the characters end up with similar stumpy looks to them. If you like anime or comics, copy that stuff, get those visual cues of appeal into your work, it'll help even with observational studies.
I can reccomend leyendecker or gibson all day, but not everyone resonates deeply enough with him to actually use that stuff (including myself.) I get the feeling that youre trying to play by the rules and do things right, but i feel as if we're not seeing what it is youre really enjoying, its like people are telling you what to like, and you follow them, instead of you genuinely liking something; i dont know if that makes sense.
I get youre trying to be rigorous and thorough with this method... I hope youre enjoying yourself at least, have fun with art, specially if you want it to be your career
Here calves too short, heads too big, her entire arms too small, torsos too short, and overall her body has more of a lunging force to it in the gesture line...
I think your imaginary stuff suffers from similar issues where say the sword guy has a really small body for his head and the pose which im assuming is from memory is really stiff
The oil portrait is going in the right direction, i think his eyes are slightly too big, but the overall control is good and the tiling is relatively clean.
If you want to get better at imaginary stuff, id reccomend copying an artist whos good at that very thing, imaginative drawing. I dont feel like you have a lot of appealing tricks and tools to use when doing imagination drawing, so the characters end up with similar stumpy looks to them. If you like anime or comics, copy that stuff, get those visual cues of appeal into your work, it'll help even with observational studies.
I can reccomend leyendecker or gibson all day, but not everyone resonates deeply enough with him to actually use that stuff (including myself.) I get the feeling that youre trying to play by the rules and do things right, but i feel as if we're not seeing what it is youre really enjoying, its like people are telling you what to like, and you follow them, instead of you genuinely liking something; i dont know if that makes sense.
I get youre trying to be rigorous and thorough with this method... I hope youre enjoying yourself at least, have fun with art, specially if you want it to be your career
70+Page Koala Sketchbook: http://crimsondaggers.com/forum/thread-3465.html SB
Paintover thread, submit for crits! http://crimsondaggers.com/forum/thread-7879.html
[color=rgba(255, 255, 255, 0.882)]e owl sat on an oak. The more he saw, the less he spoke.[/color]
Paintover thread, submit for crits! http://crimsondaggers.com/forum/thread-7879.html
[color=rgba(255, 255, 255, 0.882)]e owl sat on an oak. The more he saw, the less he spoke.[/color]